: The string seems to include a personal or username identifier ("RCH Kimi Ngangkang"), a suggestive phrase ("Pamer Lubang Meki"), and what looks like an ID number ("ID 13727799"). The platform or site name ("Mangga - INDO18") might indicate the source or community it's associated with.

The “Pamer Lubang Meki” exhibition, curated by artist‑researcher , represents a recent intervention in the rural cultural heritage (RCH) of the Mangga region (West Java, Indonesia). This paper examines the exhibition’s conceptual framework, its production process, and its socio‑cultural effects on local communities. Drawing on participant observation, semi‑structured interviews (n = 32), and visual‑ethnographic analysis, the study demonstrates how the exhibition re‑negotiates collective memory, revitalises endangered material practices, and fosters a dialogic identity between tradition and contemporary artistic expression. The findings contribute to broader debates on community‑based heritage management, participatory museology, and the politics of representation in post‑colonial Indonesia.

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