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No movement is without flaw. The indie space in Malayalam has developed a pretentious echo chamber. Some filmmakers confuse "slow pacing" with "deep meaning." A film that is merely boring is labeled by critics as "meditative."
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Today, Malayalam independent cinema is arguably the most exciting film movement in India. It consistently produces A-grade content (referring to both quality and mature thematic handling) that rivals the European art-house circuit. But with this explosion of content comes a responsibility: How do we critique these films? How do we separate a visually appealing but hollow indie project from a true masterpiece? No movement is without flaw