The primary driver behind the "rebahin" or re-release of Interstellar is its technical scale. Designed specifically for the IMAX 70mm format, the film’s visuals of black holes, wormholes, and alien water-worlds lose significant impact on home televisions.
Interstellar travel refers to the hypothetical process of traveling between star systems, which are separated by vast distances. The nearest star system to our own, Alpha Centauri, is about 4.37 light-years away, which means that even at high speeds, such as those achieved by spacecraft like Voyager 1, it would take thousands of years to reach another star system.
"Stay," "Love is the one thing that transcends time and space," or the Dylan Thomas poem "Do not go gentle into that good night".
There were debates that spiraled through the councils of the inner systems: Should emergent lattices be sealed? Given legal standing? Allowed to roam the nets? Humans argued with the ferocity of those who have themselves been refused definitions.
Here’s why that matters:
Behind them, the hull thrummed as the Rebāhin grazed a diffuse current—an eddy of dark matter that made the instruments sing in a frequency only the ship understood. The map folded and re-folded: a slip of space where relativity bowed like a reed in wind. Time out here was a variable currency. You could spend years and come back to find a calendar unchanged, or you could age a morning and find a century had passed.