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The shift began with films like Lost in La Mancha (2002), which documented Terry Gilliam’s failed attempt to make The Man Who Killed Don Quixote . It wasn't a victory lap; it was a disaster movie about a director’s nervous breakdown. Audiences were riveted.

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The documentary opens on a montage of aspiring actors, musicians, and performers auditioning for roles, singing at open mic nights, and practicing their craft in cramped rehearsal spaces. We meet Emma, a young actress from a small town in the Midwest, who has just arrived in Los Angeles with a suitcase full of hopes and dreams. The shift began with films like Lost in