Akira Saitō was once a god. In 1989, his band, Yūrei Z (Ghost Z), defined the end of the Shōwa era: leather jackets, windblown hair, and power ballads about bullet trains and ephemeral love. Their final single, Sayonara, Electric City , sold three million copies. Then, at the peak, Akira vanished. No scandal. No fight. He just refused to appear on Kōhaku Uta Gassen (the Red and White Song Battle), the ultimate validation of an artist’s career. The industry blacklisted him. Now, at 58, he lives in a cramped 1K apartment in Suginami, drinking shochu and listening to old LPs.
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(favorites), and the practice is openly discussed in workplaces and on dating profiles. Emotional Maximalism : Artists like Akira Saitō was once a god
: The Japanese government has set an ambitious goal to grow the overseas entertainment market to 20 trillion yen by 2033 , aiming to match the current scale of the automobile industry. Then, at the peak, Akira vanished