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The entertainment industry documentary is caught in a recursive loop of exploitation. To critique the machine, you must feed the machine. The most successful docs— Framing Britney Spears , The Inventor: Out for Blood in Silicon Valley (about Theranos’s Elizabeth Holmes)—become cultural events. They generate podcast spin-offs. They prompt SNL parodies. The very outrage they generate is monetized by the same conglomerates (Viacom, Disney, Warner Bros.) that originally enabled the abuse.