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Can a Malayalam film survive without the tharavadu ? Can it trade the chayakada for a Noida apartment? The new generation of filmmakers living in Mumbai or Dubai brings a diaspora perspective. This ‘glocal’ cinema—films like Bangalore Days (2014) or Hridayam (2022)—explores the Keralite in the globalised world. While commercially successful, they risk sanitising the culture, replacing the raw smell of rain-soaked earth with the curated aesthetic of a GQ photoshoot.

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, lack of "larger-than-life" tropes, and focus on the daily lives of the middle class. Cultural Foundations Visual Heritage Can a Malayalam film survive without the tharavadu

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