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In Paleri Manikyam: Oru Pathirakolapathakathinte Katha (2009), the Theyyam serves as a voice for the oppressed, revealing truths that the living dare not speak. In Ore Kadal (2007), the metaphor of the Kathakali dancer fighting false demons is used to explore the psyche of an intellectual lost in lust. Lijo Jose Pellissery’s Ee.Ma.Yau opens with a song about Death as a Theyyam performer, grounding the entire tragedy in a local, pagan spirituality that exists beneath the veneer of organized religion.

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