Cinema is finally understanding that the female body does not expire. The female mind does not dull. The female story does not end at the wedding or the birth of the child. It begins there. And the second act—the one we are living through now—is turning out to be the most powerful one of all.
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The shift is seismic. Look at the past five years alone. Michelle Yeoh, at 60, became the first self-identified Asian woman to win the Academy Award for Best Actress for Everything Everywhere All at Once —a film that centered on a weary, brilliant, middle-aged immigrant mother. She didn’t play the punchline; she played the multiverse. It begins there