Zoya Akhtar and cinematographer Jay Oza move away from the glossy, idealized version of Mumbai often seen in Bollywood. Instead, they embrace the claustrophobia of Dharavi. The narrow lanes and shared spaces reflect the internal pressure Murad feels. This grounded realism provides the necessary weight for the film's "rags-to-riches" arc. Because the audience feels the heat and the grime of Murad's daily life, his eventual rise feels earned rather than sentimental. Redefining Masculinity and Relationships
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The film tracks his journey from an underground artist to a viral sensation, culminating in him opening for Nas in Mumbai. It’s a classic underdog story about breaking free from the "destiny" society writes for you. Why It’s a Big Deal Zoya Akhtar and cinematographer Jay Oza move away