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Malayalam cinema has a distinct tradition of comedy, ranging from sophisticated, dialogue-driven humour (often called "intelligent comedy") to slapstick and satire. The industry has produced cult classics, iconic comedy duos, and a new wave of dark comedies. In the digital space, comedy skits and stand-up routines have also gained significant traction.

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Comedy in Malayalam cinema has never been merely a filler; it has often served as a vehicle for social critique, character development, and linguistic play. From the deadpan deliveries of Adoor Bhasi to the sophisticated wit of Sreenivasan, and from the physical comedy of Jagathy Sreekumar to the absurdist humour of Basil Joseph, the genre has continuously evolved. Concurrently, the 2010s and 2020s witnessed an explosion of popular comedic videos on platforms like YouTube, Instagram, and TikTok (now banned in India), creating a new canon of short-form, viral comedy. This paper aims to organize and analyze both the established filmography and the emergent digital video landscape. Malayalam cinema has a distinct tradition of comedy,

The modern era of Malayalam comedy saw the emergence of new talents like Mammootty, Mohanlal, and Dulquer Salmaan, who have redefined comedy in Malayalam cinema. Films like "Pavam Pavam" (2000), "Meesa Madhavan" (2002), and "Lijo Jose Pellissery's "Coppus" (2016) have showcased a new brand of comedy that is both satirical and absurd. : Academic courses (like those at the University